My drawings and paintings are created through a repetitious network of hand drawn lines. A mathematical framework provides the basis for each piece, while a quiver or smudge belies its human touch. Eye-bending patterns recall Op Artists like Heinz Mack and Bridget Riley, while process-driven constructions nod to Minimalists like Sol LeWitt.
The monochromatic ink drawings of countless fine lines appear woven like fabric or metal mesh. Overlapping marks within angular geometric compositions create moiré patterns, illusory shifts in value, and other engaging optical effects. In the paintings, multi-colored lines are densely layered, recalling the tight weave of tapestries. Straight lines superimposed at slight angles appear rippled and intertwined.
In this age of digital design, I choose a more painstaking method of construction. Like flaws that only enhance beauty when seen through the Japanese aesthetic of wabi-sabi, subtle “imperfections” in the works bring a richness that would not be possible with the unswerving regularity of a machine. While a viewer’s first assumption may be that these works are achieved with the aid of modern technology, they are in fact reminders of the rewarding possibilities of fastidious and patient handwork.
For more information about Mikey Kelly, please visit his website.
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